Vince thanks listeners for their feedback regarding the future of the show and briefly lays out the format change going from henceforth, including what the new title will be.
This is not a review, but a request for feedback from Vince on the future format of the show due to the lack of availability of new movies. Please write to Vince @ email@example.com and let him know if you’d like the show to remain as it is, or if you’d like to hear something different that covers a particular genre or era of films of the past.
The much-demanded and long-awaited release of Zack Snyder’s vision for what was meant to be his 2017 film Justice League. As with the 2017 version, the story follows the events of Batman V. Superman: Dawn of Justice. Superman is dead, leaving a vacuum as Earth’s protector. A hulking alien from the planet Apokolips named Steppenwolf comes to Earth to retrieve the three hidden Motherboxes, cubelike artifacts with mysterious, powerful energy, enough to destroy planets when combined. Batman can’t take on such a force alone, rounding up a team of superpowered beings from Earth to stop impending doom -the goddess-like Amazon Wonder Woman, the god-like Atlantean king Aquaman, the turbo-speed demon Flash, and the cybernetic wizard Cyborg. And yet, they will still need the power of Superman somehow.
Coming 2 America is the much-belated sequel to one of Eddie Murphy’s most popular of starring vehicles, 1988’s Coming to America. Murphy returns to his role as Akeem Joffer, an obscenely wealthy prince of the fictional African kingdom of Zamunda, living in bliss with his wife, Lisa (Shari Headley), and their three daughters. With his father ailing (James Earl Jones), Akeem is set to become the king, but this will leave Zamunda, which has only been ruled by men, with no male heir. General Izzi (Wesley Snipes), the warmongering leader of the neighboring country, Nexdoria, has come around to intimidate his way into a marriage between his son and Akeem”s eldest daughter, Meeka (KiKi Layne). However, Akeem is soon informed that he may have had an illegitimate son when he was sowing his wild oats in America thirty years prior. Akeem and his right-hand man Semmi (Arsenio Hall) return to Queens, New York to find the 31-year-old son and heir he didn’t know he had, the street-wise ticket scalper Lavelle Junson (Jermaine Fowler). Akeem flies out Lavelle and his mother Mary (Leslie Jones) to Zamunda to receive his training and perform tests of courage before he can be the prince.
Set in New York City, Chloe Grace Moretz stars as Kayla, a street-wise con artist who steals the resume of a highly qualified applicant and lands a temp position with the upscale Royal Gate Hotel. Through a series of mishaps, Jerry the mouse ends up taking unofficial residence in the five-star establishment while Kayla hires Tom the cat to be the exterminator that will preserve the immaculate reputation of the hotel, especially as they are set to host the “Wedding of the Century” between a couple of social media celebrities. Meanwhile, Kayla’s rival within the hotel, Terrance (Michael Pena), is out to make sure she fails before she gets the advancement he’s been sucking up for years to attain. Unfortunately, with a mouse, a couple of cats, a bulldog, and some elephants roaming around, trying to keep calamity from ensuing is going to be a near-impossible task for all of them.
Cassie Thomas (Carey Mulligan) lives with her parents in Ohio while working in a dead-end job at thirty years old, a barista in a small coffee shop. Her parents have been encouraging her to get on with her life in ways that aren’t even subtle. Their latest birthday gift: a suitcase.
Cassie spends her evenings at the local watering holes to the point where she’s in an obvious stupor. Inevitably, someone will offer to do the right thing and give her a ride home. However, temptation gets the better of them and they’ll tell the cab driver to take her to their home instead. There, they reveal themselves as not so good and she’ll reveal herself to be not so drunk, shaming them for essentially trying to rape a woman who is too intoxicated to truly give consent.
At work, Cassie has a run-in with Ryan Cooper (Bo Burnham), a former colleague from medical school now working as a pediatrician. Here we pick up clues learning about how she was once on a fast-track to becoming a doctor, but she dropped out for mysterious reasons involving her best friend Nina Fisher, the victim of a sexual assault that never got justice – until Cassie made it her mission to stop predators in their tracks. Ryan seems different, cracking through Cassie’s tough exterior, offering a bright future. However, when she learns that the person most responsible for Nina’s rape is nearby and about to get married, she has to decide which path she should go down, the path of promise or the path of vengeance on everyone who done them wrong, including the seemingly indifferent school educators and lawyers who downplayed the allegations.
Emerald Fennell writes and directs.
Set in 1990, Joe ‘Deke’ Deacon (Denzel Washington) is a burnt-out deputy from Kern County, CA, who left working the spotlight of high-profile cases five years ago for quieter pastures, sacrificing the spotlight and his family in the process. Rami Malek is Jim Baxter, a hotshot homicide detective for the Los Angeles County Sheriff’s Department on top of the case to catch a serial killer brutally slaughtering young women. Deke has a knack for visualizing crime scenes and cracking cases by observing ‘the little things’ – the seemingly unimportant clues that lead a serial killer to be caught. However, his reputation of following his own guidelines rather than the law has earned him a reputation, especially as events of his past have haunted him to ruin.
Deke travels to LA to deliver evidence for a case from Bakersfield but finds himself drawn into doing additional legwork off the clock because of the similarities between the current murders and one he had been working on back when he was last in Los Angeles that precipitated his exile. The arrogant Baxter initially dismisses Deacon as a loose cannon distraction, but eventually finds there’s a method to his madness that could be an asset to cracking the case. Their clues eventually lead to appliance deliverer Albert Sparma (Jared Leto), though they aren’t quite sure if he did the deeds or if he’s merely drawn close to the case because he is a fanatic for serial-killer crimes and intrigued at being thought of as a suspect. However, the demons that plague Deke seem to be infecting Baxter as he too begins to obsess about the case. John Lee Hancock writes and directs.
The Hunt is a violent satire in which liberals kidnap and hunt down “deplorables”, aka Trump supporters. These deplorables wake up in an undisclosed rural area gagged online bloggers and internet trolls claimed to expose online as “Manorgate,” but are left with keys, tools, and weapons to potentially defend themselves and get free. The private jet-flying, caviar-consuming liberal elites hunting them down like giving them a sporting chance, though the odds are heavily stacked against them. However, one of the captives is able to give the hunters a run for their money. Betty Gilpin, Hilary Swank, Wayne Duvall, Ike Barinholtz, Emma Roberts, Ethan Suplee appear in this film written by Nick Cuse and Damon Lindelof, directed by Craig Zobel.
Jamie Foxx voices Joe Gardner, a middle-aged music teacher at a New York public middle school, frustrated by his lack of success toward becoming a professional jazz club musician. He’s offered full-time status with the school when another door of opportunity opens. A former student mentions that a legendary jazz saxophonist named Dorothea Williams is auditioning for a new pianist in her jazz ensemble. Nailing the audition, Joe is exuberant, failing to notice an open manhole before falling into it. He next finds himself disassociated with his body in an afterlife existence, a soul waiting for its final destination (dubbed “The Great Beyond”).
With dreams unfulfilled, Joe desperately wants his life back, escaping his fate by posing as a mentor for new souls in a pre-life training area called “The Great Before.” Joe’s assignment is to direct a soul called 22 to find her spark that will keep her happy and productive before assuming her role in the living world. However, 22 is a special case, spending eons avoiding the process under other mentors (even Mother Teresa lost her cool with her). When Terry, the accountant for souls, notices one is missing, she pursues Joe after he escapes back to Earth to regain his life.
The prolonged armed raid of the shopping mal reveals a jewelry store used as a front to fence valuable but stolen ancient artifacts brought to the Smithsonian for Diana (Gal Gadot) and her team to identify. That’s where we meet the newly hired Barbara Minerva (Kristen Wiig), a mousy gem specialist with self-esteem issues, particularly around the self-confident and beautiful Diana Prince. In particular, one stands out, a phallic piece identified as the Dreamstone, a crystal of myth once believed throughout ancient history to grant wishes. Cavalierly, Barbara makes her wish to be like Diana, though not knowing that also means like Wonder Woman as a by-product. Diana makes her wish for Steve Trevor to be back in her life to continue the life they never got to spend together.
Overnight, Barbara’s confidence begins to grow, and the men take note of her beauty while she begins to grow in strength and agility. At the same time, Diana is approached by a mysterious strange claiming to be Steve Trevor (Chris Pine). He doesn’t look like him, but after a few words that only Steve might know, she sees the character with Chris Pine’s face and voice henceforth. (This aspect will require audiences not to think too hard about an innocent man whose body will be used nonconsensually indefinitely for Diana to romance, while also having no family or friends in his life to notice he’s completely changed).
Villainy soon enters the scene when Max Lord (Pedro Pascal), a TV infomercial conman who has headed the financially failing oil company called Black Gold Cooperative, enters the scene. Lord discovers they have the Dreamstone, and he’s desperate enough to give it a try, using his charm on Barbara to get his hands on the piece and make his wish – which is to have the stone’s powers. The physical stone disintegrates, and now Max has the power to grant anyone a wish – a power he uses in exchanges for the wealth, power, and fame of others who deal with him directly.
However, what the wish makers don’t know is that there is a catch. Gaining the thing they desire most means losing the thing of most value they already possess. In Barbara’s case, it is her kindness. In Max’s case, it is a good father. And in Diana’s case, it is the superpowers she needs to save the world.
Patty Jenkins directs.