In this sequel to 1995’s Mortal Kombat, portals between Outworld and Earth are illegally opened by Outworld’s emperor Shao Kahn, who has decided the rules of “Mortal Kombat” need not apply to him. This leaves the world’s mightiest fighters only six days to vanquish this new threat and close the portals or lose Earthrealm to the powers of evil. They return to Outworld to fight for humanity’s fate.
Mortal Kombat: The Journey begins was a direct-to-video animated video released in conjunction with the release of Mortal Kombat in theaters in 1995. It purports to be a sequel to the live-action film. For the story, producer Larry Kasanoff employed the services of his screenwriter for the live-action film, Kevin Droney. In Droney’s script, we learn that “Mortal Kombat” is a tournament where warriors from Earth and warriors from the alternate dimension of Outworld compete for domination. Three warriors from Earth are chosen by Raiden, the God of Thunder: Liu Kang, a monk who hails from the Order of Light Temple, Lieutenant Sonya Blade, a United States Special Forces officer, and Johnny Cage, a major Hollywood action star with actual martial arts skill. Their mission is to travel by boat to a mysterious island to fight the reigning champion of the “Mortal Kombat” tournament for five centuries, a half-humanoid/half-dragon named Goro. However, to get there, they must first get through evil sorcerer Shang Tsung’s minions, SubZero and Scorpio, as well as a horde of Nomads (aka Tarkatan warriors) protecting Goro. Along the way, Raiden describes the scenario and the backgrounds of the foes they are about to face for the benefit of those unfamiliar with the game.
The debut episode of “To the 90s and Beyond” podcast!
In the film, there is a gathering of Earth’s top fighters every generation to compete for the fate of the planet to keep the evil forces from Outworld from gaining dominion. It seems that if Outworld’s fighters defeat Earth in one more tournament, Earth will be theirs. The current generation’s elite are rounded up, including monk fighter Liu Kang (Robin Shou), Hollywood action hero Johnny Cage (Linden Ashby), and military operative Sonya Blade (Bridgette Wilson), to join forces with Earth’s defending thunder god Rayden (Christopher Lambert) in fighting to the death against the outlandish, deadly creatures from the planet of darkness, headed by the evil sorcerer Shang Tsung (Cary-Hiroyuki Tagawa). Paul W.S. Anderson directs.
This site is undergoing a restructure, as The Qwipster Film Review Podcast transitions to a podcast covering primarily movies from the 1990s, as well as newer movies influenced by the 1980s and 1990s cinema. Click subscribe on any of the podcast platform links to subscribe and get the show episodes when they are released!
Vince thanks listeners for their feedback regarding the future of the show and briefly lays out the format change going from henceforth, including what the new title will be.
This is not a review, but a request for feedback from Vince on the future format of the show due to the lack of availability of new movies. Please write to Vince @ firstname.lastname@example.org and let him know if you’d like the show to remain as it is, or if you’d like to hear something different that covers a particular genre or era of films of the past.
The much-demanded and long-awaited release of Zack Snyder’s vision for what was meant to be his 2017 film Justice League. As with the 2017 version, the story follows the events of Batman V. Superman: Dawn of Justice. Superman is dead, leaving a vacuum as Earth’s protector. A hulking alien from the planet Apokolips named Steppenwolf comes to Earth to retrieve the three hidden Motherboxes, cubelike artifacts with mysterious, powerful energy, enough to destroy planets when combined. Batman can’t take on such a force alone, rounding up a team of superpowered beings from Earth to stop impending doom -the goddess-like Amazon Wonder Woman, the god-like Atlantean king Aquaman, the turbo-speed demon Flash, and the cybernetic wizard Cyborg. And yet, they will still need the power of Superman somehow.
Coming 2 America is the much-belated sequel to one of Eddie Murphy’s most popular of starring vehicles, 1988’s Coming to America. Murphy returns to his role as Akeem Joffer, an obscenely wealthy prince of the fictional African kingdom of Zamunda, living in bliss with his wife, Lisa (Shari Headley), and their three daughters. With his father ailing (James Earl Jones), Akeem is set to become the king, but this will leave Zamunda, which has only been ruled by men, with no male heir. General Izzi (Wesley Snipes), the warmongering leader of the neighboring country, Nexdoria, has come around to intimidate his way into a marriage between his son and Akeem”s eldest daughter, Meeka (KiKi Layne). However, Akeem is soon informed that he may have had an illegitimate son when he was sowing his wild oats in America thirty years prior. Akeem and his right-hand man Semmi (Arsenio Hall) return to Queens, New York to find the 31-year-old son and heir he didn’t know he had, the street-wise ticket scalper Lavelle Junson (Jermaine Fowler). Akeem flies out Lavelle and his mother Mary (Leslie Jones) to Zamunda to receive his training and perform tests of courage before he can be the prince.
Set in New York City, Chloe Grace Moretz stars as Kayla, a street-wise con artist who steals the resume of a highly qualified applicant and lands a temp position with the upscale Royal Gate Hotel. Through a series of mishaps, Jerry the mouse ends up taking unofficial residence in the five-star establishment while Kayla hires Tom the cat to be the exterminator that will preserve the immaculate reputation of the hotel, especially as they are set to host the “Wedding of the Century” between a couple of social media celebrities. Meanwhile, Kayla’s rival within the hotel, Terrance (Michael Pena), is out to make sure she fails before she gets the advancement he’s been sucking up for years to attain. Unfortunately, with a mouse, a couple of cats, a bulldog, and some elephants roaming around, trying to keep calamity from ensuing is going to be a near-impossible task for all of them.
Cassie Thomas (Carey Mulligan) lives with her parents in Ohio while working in a dead-end job at thirty years old, a barista in a small coffee shop. Her parents have been encouraging her to get on with her life in ways that aren’t even subtle. Their latest birthday gift: a suitcase.
Cassie spends her evenings at the local watering holes to the point where she’s in an obvious stupor. Inevitably, someone will offer to do the right thing and give her a ride home. However, temptation gets the better of them and they’ll tell the cab driver to take her to their home instead. There, they reveal themselves as not so good and she’ll reveal herself to be not so drunk, shaming them for essentially trying to rape a woman who is too intoxicated to truly give consent.
At work, Cassie has a run-in with Ryan Cooper (Bo Burnham), a former colleague from medical school now working as a pediatrician. Here we pick up clues learning about how she was once on a fast-track to becoming a doctor, but she dropped out for mysterious reasons involving her best friend Nina Fisher, the victim of a sexual assault that never got justice – until Cassie made it her mission to stop predators in their tracks. Ryan seems different, cracking through Cassie’s tough exterior, offering a bright future. However, when she learns that the person most responsible for Nina’s rape is nearby and about to get married, she has to decide which path she should go down, the path of promise or the path of vengeance on everyone who done them wrong, including the seemingly indifferent school educators and lawyers who downplayed the allegations.
Emerald Fennell writes and directs.