Category Archives: Adventure

The Man Who Killed Don Quixote (2018) | Terry Gilliam



Film-maker Terry Gilliam has finally made it to the finish line with his seemingly quixotic quest to make a film version of Miguel de Cervantes’ “Don Quixote”, decades in the making.  Adam Driver is the main star, playing a hot-shot hothead director named Toby, who is attempting to shoot a commercial in Los Sueños (aka, “The Dreams”), Spain with elements of Miguel de Cervantes’ epic, “Don Quixote”. He’s been down this road before, a decade prior, shooting it as a low-budget student film when he was humble and first getting his taste of the movie-making business.  He had the perfect Don Quixote for his film, a show repairman named Javier (Jonathan Pryce) that he discovered and had to mold into some sort of actor.  Now, many years later, Toby sees the aftermath of what he left behind in the small village he once shot in, finding Javier now actually thinking he is the true Don Quixote.  What’s worse, he believes (and truly insists) that Toby is his squire, Sancho Panza. From there, fiction becomes fact, as Toby finds himself on a wild ride in trying to corral Don Quixote to sanity, all the while he himself begins to question his own grasp on reality with a series of adventures that may or may not be a fantasy of his own.


Triple Frontier (2019) | J.C. Chandor



After a nearly five-year hiatus from writing and directing films, J.C. Chandor re-emerges with Triple Frontier (for Netflix), in which five ex-military special ops soldiers reunite in order to stage a heist of a murderous major South American drug lord.  Oscar Isaac is the de facto leader of the quintet, playing Santiago, who decides to “get the band back together” for one last mission for reconnaissance for the government to take down the elusive drug lord he’s spent years trying to take down, Lorea, but changes the mission once he discovers that they could do the bust themselves, take out the human vermin the world is better off without, and score the millions of dollars in cash within his jungle-hidden, well-guarded mansion.  Each of the men find that their service for the country hasn’t exactly resulted in the country taking care of them financially, so they figure they should get what’s fair for their years of sacrifice, making it worth their salt to commit to. Ben Affleck, Charlie Hunnam, Garrett Hedlund and Pedro Pascal co-star in this action/adventure/thriller.


How to Train Your Dragon: The Hidden World (2019) | Dean DeBlois



Hiccup is now into adulthood, young but now the leader among the Dragon-rescuing Vikings of their island fortress village of Berk.  Though the Vikings have lived in Berk for generations, Hiccup soon sees that they’ve outgrown their small island, especially with the overcrowding of the Dragons there as they rescue more of them, eyeing the mythical sanctuary on the edge of the world to guide these magical beasts.  Meanwhile, love may be in the air, with Hiccup perhaps on the verge of marriage with Astrid, though she seems reticent, and Toothless perhaps finding a mate with a female Dragon very much like him, dubbed a “Light Fury” due to its alabaster color, in contrast to Toothless’ obsidian appearance. Unfortunately, it’s all a trap set by Grimmel, the notorious hunter of Night Fury dragons, who aims to snuff them all out at any cost.


The Kid Who Would Be King (2019) | Joe Cornish



THE KID WHO WOULD BE KING involves a young boy in London named Alex, who spends his days bullied at school, primarily because he sticks up to those bullies – Lance and Kaye – to protect his bullied friend Bedders. In the heat of one of those skirmishes, Alex stumbles upon a ‘sword in the stone’ like the one in his book on King Arthur left to him by his absent father, and he manages to pull it out from the concrete block that had been its home. Knighting Bedders with it, the boys are soon visited by a teenage representation of Merlin (he claims to age backwards), who is lost in time and newly in disguise as one of their schoolmates. Merlin gets Alex up to speed about his quest to save humanity from enslavement from the coming of the dormant but powerful witch Morgana within four days (when a solar eclipse will happen), and that he’ll need to raise an army of his friends, and enemies, to become the king of legend.  Joe Cornish writes and directs. Features Louis Ashbourne Serkis, Angus Imrie, Rebecca Ferguson, and Patrick Stewart.


Leave No Trace (2018) | Debra Granik



Ben Foster’s war vet Will, widower father to the young teenage girl with the boy’s name of Tom (Thomasin McKenzie), is suffering from some sort of Post Traumatic Stress from his time in the service, living out in the woods, completely off the grid, roughing it in that public park in Oregon.  Director Debra Granik combined these elements with the story of a man who raised his daughter off the grid in their own cabin in Oregon, wanting her to learn from nature and books rather than live her whole life in a world of conformity, though she did have exposure to those elements in her time of custody with her mother, as well as in her teen years, when she went to a high school and became more interested in conforming to society.


Bumblebee (2018) | Travis Knight



This time out, the character of Bumblebee ends up going back to his original look from the toy line and cartoon series of a Volkswagen Beetle, when he arrives on Earth back in 1987 as part of a last-minute escape plan for the Autobots on Cybertron to find an inhabitable planet as theirs is about to be destroyed in an all-out civil war with the Decepticons.  Bumblebee ends up emerging in California, where his dormant state of the Beetle laying in rust in a junkyard, in hiding after being hunted by Sector Seven (the government agency who first discovers him), draws the eye of a troubled teenage girl named Charlie Watson, who views the car as freedom and an opportunity to follow in her recently deceased father’s footsteps by repairing two damaged precious things – the car, and herself.


Aquaman (2018) | James Wan



The setting starts sometime in the 1980s, where we find Atlantean queen Atlanna (Nicole Kidman) coming up to the surface in the state of Maine to get away from an arranged marriage, seeking a bit of sanctuary and time to heal in a lighthouse run by a human named Tom Curry (Temuera Morrison). The two unlikely partners fall in love, eventually leading to a son, Arthur Curry.  The kingdom of Atlantis is not pleased with Atlanna’s apparent defection to the land, sending out their soldiers to claim her back, culminating in Tom being left alone to raise the boy himself as a human, except one with the powers of Atlanteans in his DNA, including an ability to talk to and command all forms of marine life.

We fast forward to Arthur’s adulthood, known to the land-dwellers as “The Aquaman” after a series of public acts of heroism, one including taking down pirates that includes future nemesis Black Manta (Yahya Abdul-Mareen II).  However, Arthur has to become a savior to his adopted people when the current rule of Atlantis, Arthur’s half-brother Orm (Patrick Wilson), is looking to mount a war with the land walkers who continue to pollute the oceans, seeking the assistance of King Nereus (Dolph Lundgren), one of the leaders of the ‘seven seas’ needed to approve. Nereus’s daughter Mera looks to recruit Arthur’s assistance in staving off the uprising from his brother’s charge.  Arthur must go undersea to make his presence felt, but the opposite of a fish out of water in his new environs in the Atlantean realm, especially when the situation boils down to a mano-a-mano battle between Arthur and Orm on his home turf (or non-turf, as it happens to be).


The Nutcracker and the Four Realms (2018)



Mackenzie Foy stars as Clara, suffering through grief with her father and two siblings during their first holiday without her recently deceased mother, Marie.  Clara receives an enigmatic and ornate Christmas gift, the last from her mother, a metallic contraption shaped like an egg with an elaborate keyhole that came with no key that might fit accompanying it. She is despondent that she cannot open it without ruining it, and it causes her to be depressed during the big holiday gala put on by her godfather, Drosselmeyer (Morgan Freeman). who, it turns out, had created the egg for her mother.  During the events of the evening at Drosselmeyer’s mansion, she follows a string that will lead to Drosselmeyer’s own gift to her, way out from the party and into another dimension, to a mystical and magic-fueled world called the Four Realms.


The Predator (2018)



Shane Black tries to do what no one has done thus far, and that’s to make a good follow-up to John McTiernan’s 1997 action classic, PREDATOR.  Here, the Predators are back searching for their old technology, and possibly taking over the Earth, having to confront a rag-tag group of disgrace military vets in their way.  Boyd Holdbrook, Olivia Munn, Thomas Jane, Keegan-Michael Key, Trevante Rhodes and Jacob Tremblay also appear.


The Meg (2018) – A Podcast Film Review



A big shark and Jason Statham are the big draws to THE MEG, in which a rescue team of humans must try to survive, and eventually take on, a prehistoric shark of gargantuan proportions that threatens everyone off of the coast of China.  Jon Turteltaub directs this PG-13 action-horror hybrid that some compare to the JAWS and JURASSIC PARK series, or, at least, its low-aiming sequels.