Category Archives: Adventure

Onward (2020) | Dan Scanlon



In this Pixar film, two teenage elf brothers in a town called New Mushroomton go on a quest that requires them to tap into the long-forgotten magic in the world to have one more day with the father who passed away before his youngest was born. The father left behind a gift for them to have when they both reached the age of sixteen, a wizard’s staff and an ultra-rare Phoenix Gem they can use to bring him back to life, but only for one day. The spell is cast, but the process gets interrupted halfway, leaving only dad’s animated legs to get to know. If they want to talk to him or give him so much as a hug, they’ll have to find another Phoenix Gem before the spell runs out. Voice work by Tom Holland and Chris Pratt. Directed by Dan Scanlon.


1917 (2019) | Sam Mendes



1917 takes place in Northern France amid the Great War. Lance Corporals Blake (Dean-Charles Chapman) and Schofield (George MacKay) are two British soldiers commanded to carry orders from their General (Colin Firth) across No Man’s Land then behind German-occupied enemy lines. The mission-critical orders are for a battalion of 1600 British soldiers, including Blake’s brother, to stand down from their planned raid the next morning against the Germans who are setting them up for a massive ambush. Through trenches, decimated towns, and bombed-out structures, the duo traverses, cautiously but expeditiously, to save the lives of their fellow soldiers. Sam Mendes directs.


Star Wars: Episode IX – The Rise of Skywalker (2019)



The Rise of Skywalker takes place sometime after the events of The Last Jedi. Rey (Daisy Ridley) has been in training with General Leia (Carrie Fisher) on how to be an elite Jedi. She ends up abruptly leaving so that she and her merry gang of Resistance fighters can hop around the galaxy. They’re looking for a Wayfinder crystal that is the key to finding the planet called Exogol, where the Siths reside, led by the return of Emperor Palpatine (Ian McDiarmid), who is somehow still alive. Obstacles abound, including First Order leader Kylo Ren (Adam Driver). Ren is ostensibly seeking to help Palpatine return to power, trying to get his hands on the Wayfinder for himself, possibly to join forces with Palpatine to enact the Final Order to bring the galaxy to its knees. J.J. Abrams directs. John Boyega, Oscar Isaac, Anthony Daniels, Joonas Suotamo, Billy Dee Williams, Naomi Ackie, Keri Russell, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Kelly Marie Tran also appear


The Peanut Butter Falcon (2019) | Tyler Nilson & Mike Schwartz



Zack Gottsagen is a young man with Down syndrome who is persistently trying to escape from his care facility in order to go meet his idol, a professional wrestler named the Salt Water Redneck (Thomas Haden Curch), who runs a wrestling school in Florida, hoping to fulfill his dream of becoming a pro wrestler himself. Along the way from the shores of North Carolina, he meets a wayward neer-do-well named Tyler (Shia LaBeouf), who is on the run after practically destroying the business of a local crab fisherman. Meanwhile, a woman who works at the care facility named Eleanor (Dakota Johnson) is tasked with tracking down Zak before he gets himself into further trouble, leading to a conflict between Zak’s quest to meet his idol, Tyler’s desire to help him while avoiding his comeuppance, and Eleanor’s quest to do what her employers ask without making things worse for the resident she cares for.


Fast & Furious Presents: Hobbs & Shaw (2019)



Hattie (played by Vanessa Kirby) is an MI6 agent on a mission to keep a deadly virus named Snowflake, which can liquefy the internal organs of humans who contract it, from getting into the hands of a faction of mercenaries under the employ of an evil tech-based organization called Eteon, led by Brixton Lore (Idris Elba), a hi-tech assassin with technology-augmented senses that make him a swiss-army knife of deadly skills, something seen by the company as the future of a humanity soon to die off. In a desperation move, Hattie injects the virus into her own body, giving her only 3 days to get it back out before it actually does what it’s supposed to do, and instantly making her the most sought-after fugitive in the world by bad guys and good guys alike. Hired to find Hattie before Lore finds her first is the titular bickering team of Los Angeles-based single father and retired DSS agent Luke Hobbs and ex-special ops mercenary Deckard Shaw (Jason Statham), the latter of whom is soon revealed to be the estranged older sibling of Hattie. But to save Hattie, they also need to secure the services of a genius scientist, who is perhaps the only one with the technology necessary to extract the virus back out of Hattie, making him a target of Eteon’s forces as well. David Leitch directs this comic spin-off from the Fast & Furious franchise.


The Man Who Killed Don Quixote (2018) | Terry Gilliam



Film-maker Terry Gilliam has finally made it to the finish line with his seemingly quixotic quest to make a film version of Miguel de Cervantes’ “Don Quixote”, decades in the making.  Adam Driver is the main star, playing a hot-shot hothead director named Toby, who is attempting to shoot a commercial in Los Sueños (aka, “The Dreams”), Spain with elements of Miguel de Cervantes’ epic, “Don Quixote”. He’s been down this road before, a decade prior, shooting it as a low-budget student film when he was humble and first getting his taste of the movie-making business.  He had the perfect Don Quixote for his film, a show repairman named Javier (Jonathan Pryce) that he discovered and had to mold into some sort of actor.  Now, many years later, Toby sees the aftermath of what he left behind in the small village he once shot in, finding Javier now actually thinking he is the true Don Quixote.  What’s worse, he believes (and truly insists) that Toby is his squire, Sancho Panza. From there, fiction becomes fact, as Toby finds himself on a wild ride in trying to corral Don Quixote to sanity, all the while he himself begins to question his own grasp on reality with a series of adventures that may or may not be a fantasy of his own.


Triple Frontier (2019) | J.C. Chandor



After a nearly five-year hiatus from writing and directing films, J.C. Chandor re-emerges with Triple Frontier (for Netflix), in which five ex-military special ops soldiers reunite in order to stage a heist of a murderous major South American drug lord.  Oscar Isaac is the de facto leader of the quintet, playing Santiago, who decides to “get the band back together” for one last mission for reconnaissance for the government to take down the elusive drug lord he’s spent years trying to take down, Lorea, but changes the mission once he discovers that they could do the bust themselves, take out the human vermin the world is better off without, and score the millions of dollars in cash within his jungle-hidden, well-guarded mansion.  Each of the men find that their service for the country hasn’t exactly resulted in the country taking care of them financially, so they figure they should get what’s fair for their years of sacrifice, making it worth their salt to commit to. Ben Affleck, Charlie Hunnam, Garrett Hedlund and Pedro Pascal co-star in this action/adventure/thriller.


How to Train Your Dragon: The Hidden World (2019) | Dean DeBlois



Hiccup is now into adulthood, young but now the leader among the Dragon-rescuing Vikings of their island fortress village of Berk.  Though the Vikings have lived in Berk for generations, Hiccup soon sees that they’ve outgrown their small island, especially with the overcrowding of the Dragons there as they rescue more of them, eyeing the mythical sanctuary on the edge of the world to guide these magical beasts.  Meanwhile, love may be in the air, with Hiccup perhaps on the verge of marriage with Astrid, though she seems reticent, and Toothless perhaps finding a mate with a female Dragon very much like him, dubbed a “Light Fury” due to its alabaster color, in contrast to Toothless’ obsidian appearance. Unfortunately, it’s all a trap set by Grimmel, the notorious hunter of Night Fury dragons, who aims to snuff them all out at any cost.


The Kid Who Would Be King (2019) | Joe Cornish



THE KID WHO WOULD BE KING involves a young boy in London named Alex, who spends his days bullied at school, primarily because he sticks up to those bullies – Lance and Kaye – to protect his bullied friend Bedders. In the heat of one of those skirmishes, Alex stumbles upon a ‘sword in the stone’ like the one in his book on King Arthur left to him by his absent father, and he manages to pull it out from the concrete block that had been its home. Knighting Bedders with it, the boys are soon visited by a teenage representation of Merlin (he claims to age backwards), who is lost in time and newly in disguise as one of their schoolmates. Merlin gets Alex up to speed about his quest to save humanity from enslavement from the coming of the dormant but powerful witch Morgana within four days (when a solar eclipse will happen), and that he’ll need to raise an army of his friends, and enemies, to become the king of legend.  Joe Cornish writes and directs. Features Louis Ashbourne Serkis, Angus Imrie, Rebecca Ferguson, and Patrick Stewart.


Leave No Trace (2018) | Debra Granik



Ben Foster’s war vet Will, widower father to the young teenage girl with the boy’s name of Tom (Thomasin McKenzie), is suffering from some sort of Post Traumatic Stress from his time in the service, living out in the woods, completely off the grid, roughing it in that public park in Oregon.  Director Debra Granik combined these elements with the story of a man who raised his daughter off the grid in their own cabin in Oregon, wanting her to learn from nature and books rather than live her whole life in a world of conformity, though she did have exposure to those elements in her time of custody with her mother, as well as in her teen years, when she went to a high school and became more interested in conforming to society.