Set somewhere in New England, the plot of this murder mystery involves the death of the patriarch of the Thrombey family, Harlan (Christopher Plummer). Harlan is a wildly successful mystery novelist who has amassed a small fortune running a publishing company for his and other books. While initially thought to be suicide, several guests at Harlan’s 85th birthday acted quite suspiciously before his death that leaves open the possibility of foul play. Along with the police, an unknown person hires a famous detective named Benoit Blanc (Daniel Craig) to check into the matter beyond the standard police questioning. Our main conduit into the story, however, is Marta (Ana de Armas), Harlan’s nurse that has a strange affliction where she will toss her cookies whenever she lies, making her an instant way to vet the truth, provided that she knows it. With Marta by his side, Blanc finds there may be more to the suicide than he initially thought, though the hows and whys remain elusive. Rian Johnson writes and directs. Chris Evans, Don Johnson, Jamie Lee Curtis, Toni Collette, Michael Shannon, and LaKeith Stanfield also appear.
Monthly Archives: November 2019
Executive produced by Ben Wheatley, In Fabric is a comedic horror film from Peter Strickland, who made critical splashes with prior small-scale efforts like the crafty, Giallo-homage of Berberian Sound Studio and the fetishistic tale found in The Duke of Burgundy. Strickland’s penchant for exploring unique scenarios continues with this more expansive story about a sexy “artery red” dress bought by Sheila, a lonely, recently divorced middle-aged London bank clerk, at Dentley & Soper, a bizarre department store that may be selling haunted wares during the rush of its January sales. What Sheila doesn’t know is that the cost of the dress is more than just the money she paid for it. Peter Strickland writes and directs this eerie dark comedy that explores the nature of the power of fashion.
There’s something to Ephraim Winslow (Robert Pattinson) that’s been deeply troubling him – an incident in the past that haunts him that his continued existence on the island serves as a persistent reminder. Their shift on the island in the middle of the sea was originally to be four weeks in duration. Due to a leg injury, the boss, Thomas Wake (Willem Dafoe), requires Ephraim to do nearly all of the physical labor on his behalf, which the younger man comes to deeply resent, feeling like a slave during the day and treated no better than an animal at night. On his end, Thomas feels like Ephraim doesn’t respect his authority, and his cooking skills, and he’s going to break the lad to fear him if he won’t at least show him the respect of his position., The wall between them is so prevalent, despite being in close proximity to one another, they don’t even learn each other’s names until well into their scheduled stay. From there, things get occasionally better, but often far worse, as Ephraim’s fear, guilt, and paranoia begin to get the better of him, combined with the toxicity of heavy drinking and feelings of overwhelming isolation. Visions come into his head of lusty mermaids, mocking seagulls, and a dead body he seems to know more about than he cares to remember. Robert Eggers directs and co-writes this unique psychological folk tale of a sort.