Category Archives: Comedy

Hellboy (2019) | Neil Marshall



In this Neil Marshall reboot, we already have an established the scarlet-bodied Hellboy (David Harbour) as part of the B.P.R.D. (Bureau of Paranormal Research and Defense), working for his adoptive father, Professor Trevor “Broom” Bruttenholm (Ian McShane), in corraling and eradicating malevolent supernatural menaces wherever they may arise around the world. Hellboy reunites with Alice Monaghan (Sasha Lane), a powerful medium, and a cat-beast man named Major Ben Daimio (Daniel Dae Kim), in order to prevent the Blood Queen from Arthurian times named Nimue (Milla Jovovich) from taking a mate and growing powerful enough to finally take over the world and eliminate the human presence upon it once and for all.


The Man Who Killed Don Quixote (2018) | Terry Gilliam



Film-maker Terry Gilliam has finally made it to the finish line with his seemingly quixotic quest to make a film version of Miguel de Cervantes’ “Don Quixote”, decades in the making.  Adam Driver is the main star, playing a hot-shot hothead director named Toby, who is attempting to shoot a commercial in Los Sueños (aka, “The Dreams”), Spain with elements of Miguel de Cervantes’ epic, “Don Quixote”. He’s been down this road before, a decade prior, shooting it as a low-budget student film when he was humble and first getting his taste of the movie-making business.  He had the perfect Don Quixote for his film, a show repairman named Javier (Jonathan Pryce) that he discovered and had to mold into some sort of actor.  Now, many years later, Toby sees the aftermath of what he left behind in the small village he once shot in, finding Javier now actually thinking he is the true Don Quixote.  What’s worse, he believes (and truly insists) that Toby is his squire, Sancho Panza. From there, fiction becomes fact, as Toby finds himself on a wild ride in trying to corral Don Quixote to sanity, all the while he himself begins to question his own grasp on reality with a series of adventures that may or may not be a fantasy of his own.


Shazam! (2019) | David Sandberg



In this lighthearted DCEU entry, Billy Batson is a trouble-making fourteen-year-old living in a foster home in Philadelphia, having been abandoned by a young mother he’s been searching for since she left him at a crowded carnival many years prior. One day, the sleuthing prankster gets transported after an act of bravery to another realms to meet a powerful and reclusive wizard, who has been on a long-term search for someone pure of heart to pass on his magical powers to. The wizard bestows upon Billy the power to turn into an muscle-bound, adult-bodied, costumed superhero by using his name of “Shazam!” Along with his superhero-loving best friend in the foster home, Freddy, the still adolescent-minded Billy has plenty of fun in discovering his new powers and all of the things he can do with them, from buying beer to giving the school bullies some comeuppance. However, things get serious with the emergence of Dr. Thaddeus Sivana, once past over as unworthy by the wizard and seeking to usurp them from Billy, along with the cabal of demon-like possessors within him, representing the Seven Deadly Sins who plan to come to power with Sivana as their vessel to the outside world.


The Dirt (2019) | Jeff Tremaine



The Dirt is a Netflix biopic featuring re-enactments of some of the wild, raunchy and tragic stories as told by the members of popular 80’s/90’s metal band Motley Crue in their autobiographical book of the same name.  Starring Douglas Booth, Machine Gun Kelly, Daniel Webber, and Iwan Rheon.  Directed by Jeff Tremaine.


Us (2019) | Jordan Peele



As a young girl living in the coastal California town of Santa Cruz in 1986, Adelaide walked away from her parents while at  the beach boardwalk amusement park, into a seemingly empty fun house, and saw something that would negatively affect her the rest of her life.  Flash forward to today, and Adelaide is now married with two kids, and her husband, Gabe Wilson, has a yen to visit Santa Cruz for a family vacation, not knowing about her deep-seated fear of her experience there.  Despite her qualms, she consents to go, and while things appear harmless, she has a bad feeling about it. Her feeling would turn out to have merit, as they are soon visited in their rental by another family of four that looks just like them, except they mostly can’t speak well, and they’re dressed all in red.  The house soon becomes under siege by the doppelgangers, resulting in a battle for survival – a battle for continued existence, really – between the Wilsons and the Others. Stars Lupita Nyong’o and Winston Duke. Written and directed by Jordan Peele.


Isn’t It Romantic (2019) | Todd Strauss-Schulson



Rebel Wilson plays Natalie, working as an architect in New York City, though often marginalized by her peers at her firm as one of the administrative assistants who make copies and fetch coffee for the others a the board meetings. To make matters worse, she ends up getting mugged and assaulted in the subway, resulting in a loss of consciousness that finds her waking up in a too-nice hospital being catered to, and flirted with, by the handsome doctor there.  Her apartment is now three times the size and meticulously furnished, her neighbor now flamboyantly gay, and the hunky, wealthy client they’ve recently taken on at the firm (Liam Hemsworth) now only has eyes for her. In short, she’s the star of her own romantic comedy, and the only person she can confide in that knowledge is her best friend at work, Josh (Adam Devine), who holds a secret crush for Natalie that she’s been too stuck in her low self esteem to see.


Vice (2018) | Adam McKay



Written and directed by Adam McKay, who impressed in his last effort from 2015, The Big ShortVice is specifically a biopic of sorts about former Vice President of the United States under George W. Bush, Dick Cheney — both of whom were seen as responsible for the policies that brought about the stock market crash covered so well in McKay’s prior film.  McKay covers Cheney’s rise from drunken slob, to shaping up by entering Wyoming business and politics, to becoming a power player in the Republican party in Washington (Chief of Staff under President Ford), to his failed ambition to become president, to becoming the CEO of Halliburton.  However, some would say that, after a successful bed on the bottom of the ticket for the 2000 and 2004 elections, he found a way, dubbed the Unitary Executive Theory, to become the most powerful nation in the world from the number-two position despite it being seen as a do-nothing office.


BlacKkKlansman (2018) | Spike Lee



In this Spike Lee joint, we go back to the 1970s, where we find Ron Stallworth, the first black police detective working for the Colorado Springs Police Department.  In one of his first assignments after laboring behind the scenes to test the waters as a file clerk, Ron is hired to go undercover to record a speech being given locally by black activist Kwame Ture (Corey Hawkins), formerly known as Stokely Carmichael, at a nearby college, in which the subject is black empowerment, racist law enforcement, and preparation for the race war they feel will be inevitable. The police thought the speech would incite violence, but Ron saw the speech as just talk in that regard, and inspiring otherwise.


Dr. Seuss’ The Grinch (2018)



Illumination Entertainment brings Dr. Seuss’ beloved story to the modern age with 3D animation and the vocal talent of Benedict Cumberbatch. The Grinch hates Christmas and plans to thwart the festivities of the Christmas-loving denizens of nearby Whoville, but after donning the Santa Claus outfit to steal their presents away, has to confront the wishes of a young girl who needs Santa’s help.


Destination Wedding (2018)



Keanu Reeves and Winona Ryder star as bickering travelers who just so happen to be going to the same destination: a wedding of her ex, and his half-brother, who neither of them particularly hopes is happy.  Two unhappy people surrounded by mirth leads to a toxic concoction of feelings, but the two unlucky lovers find a bond in their despair that may be just as strong as that of initial attraction.  “Mad About You” producer Victor Levin directs this anti-romantic comedy.