Category Archives: Horror

In Fabric (2019) | Peter Strickland



Executive produced by Ben Wheatley, In Fabric is a comedic horror film from Peter Strickland, who made critical splashes with prior small-scale efforts like the crafty, Giallo-homage of Berberian Sound Studio and the fetishistic tale found in The Duke of Burgundy. Strickland’s penchant for exploring unique scenarios continues with this more expansive story about a sexy “artery red” dress bought by Sheila, a lonely, recently divorced middle-aged London bank clerk, at Dentley & Soper, a bizarre department store that may be selling haunted wares during the rush of its January sales. What Sheila doesn’t know is that the cost of the dress is more than just the money she paid for it. Peter Strickland writes and directs this eerie dark comedy that explores the nature of the power of fashion.


The Lighthouse (2019) | Robert Eggers



There’s something to Ephraim Winslow (Robert Pattinson) that’s been deeply troubling him – an incident in the past that haunts him that his continued existence on the island serves as a persistent reminder. Their shift on the island in the middle of the sea was originally to be four weeks in duration.  Due to a leg injury, the boss, Thomas Wake (Willem Dafoe), requires Ephraim to do nearly all of the physical labor on his behalf, which the younger man comes to deeply resent, feeling like a slave during the day and treated no better than an animal at night. On his end, Thomas feels like Ephraim doesn’t respect his authority, and his cooking skills, and he’s going to break the lad to fear him if he won’t at least show him the respect of his position., The wall between them is so prevalent, despite being in close proximity to one another, they don’t even learn each other’s names until well into their scheduled stay. From there, things get occasionally better, but often far worse, as Ephraim’s fear, guilt, and paranoia begin to get the better of him, combined with the toxicity of heavy drinking and feelings of overwhelming isolation. Visions come into his head of lusty mermaids, mocking seagulls, and a dead body he seems to know more about than he cares to remember. Robert Eggers directs and co-writes this unique psychological folk tale of a sort.


The Dead Don’t Die (2019) | Jim Jarmusch



After the Earth’s rotation is disturbed due to environmental fallout resulting from “polar fracking”, strange natural phenomena begin occurring all over the globe, including, in one area at least, the dead coming back to life to feast on the living. Bill Murray stars in his second zombie comedy as Cliff Robertson, the chief of police for the small, Mayberry-esque town of Centerville. He, along with his partner in fighting very little crime, officer Ronnie Peterson (Adam Driver) find themselves having to deal with the gruesome deaths they uncover, coming to the realization that things may not end well for themselves or their community if they don’t take decisive action. Jim Jarmusch writes and directs. Tilda Swinton, Steve Buscemi, Danny Glover, Iggy Pop, Selena Gomez, and RZA also appear in this zombie comedy.


Dark Phoenix (2019) | Simon Kinberg



The plot, initially set in 1992 after a prologue with a tragic event in Jean Grey’s childhood back in 1975, continues with the First Class set of mutants and involves a presidentially sanctioned trip into space in order to rescue a space shuttle. Jean Grey (Sophie Turner) commits an act of heroism in trying to keep the space shuttle together as the crew is rounded up to safety, absorbing a massive wave of energy that should have easily taken her life. She ends up surviving the ordeal, much to everyone’s relief.  But something is a bit off with Jean, finding herself with enhanced senses, and growing even more powerful than she had ever been before.  Exhilarating at first, but now she’s becoming increasingly unstable, scared she’s beginning to lose control to her new nature, with an internal fight going on that is an even bigger match than the external one that involves her in a battle with fellow mutants who are trying to contain what is rapidly becoming the most powerful, perhaps even unstoppable, mutant of all. Simon Kinberg writes and directs.


Hellboy (2019) | Neil Marshall



In this Neil Marshall reboot, we already have an established the scarlet-bodied Hellboy (David Harbour) as part of the B.P.R.D. (Bureau of Paranormal Research and Defense), working for his adoptive father, Professor Trevor “Broom” Bruttenholm (Ian McShane), in corraling and eradicating malevolent supernatural menaces wherever they may arise around the world. Hellboy reunites with Alice Monaghan (Sasha Lane), a powerful medium, and a cat-beast man named Major Ben Daimio (Daniel Dae Kim), in order to prevent the Blood Queen from Arthurian times named Nimue (Milla Jovovich) from taking a mate and growing powerful enough to finally take over the world and eliminate the human presence upon it once and for all.


Pet Sematary (2019) | Kevin Kolsch & Dennis Widmyer



Pet Sematary is the second film adaptation of the Stephen King novel first published in 1983. The premise involves a family of four who relocate from the hustle and bustle of Boston to a small town in Maine called Ludlow on a wide parcel of land that includes many acres of wooded forest. It’s in that forest that their daughter Ellie (Jete Laurence) discovers a cemetery for beloved pets of people in the surrounding area, going back decades, including one belonging to their elderly neighbor Jud (John Lithgow).  Turns out they may need the use of the cemetery, as their kind kitty named Church gets run over, causing the father, Louis (Jason Clarke), to have to bury the cat, though he can’t quite bring himself to tell Ellie and break her heart. Jud doesn’t want to see that happen and suggests burying Church in a special place far deeper into the woods. Lo and behold, Church is back with the family the next day, but it’s clear he’s not quite himself anymore.


Us (2019) | Jordan Peele



As a young girl living in the coastal California town of Santa Cruz in 1986, Adelaide walked away from her parents while at  the beach boardwalk amusement park, into a seemingly empty fun house, and saw something that would negatively affect her the rest of her life.  Flash forward to today, and Adelaide is now married with two kids, and her husband, Gabe Wilson, has a yen to visit Santa Cruz for a family vacation, not knowing about her deep-seated fear of her experience there.  Despite her qualms, she consents to go, and while things appear harmless, she has a bad feeling about it. Her feeling would turn out to have merit, as they are soon visited in their rental by another family of four that looks just like them, except they mostly can’t speak well, and they’re dressed all in red.  The house soon becomes under siege by the doppelgangers, resulting in a battle for survival – a battle for continued existence, really – between the Wilsons and the Others. Stars Lupita Nyong’o and Winston Duke. Written and directed by Jordan Peele.


Greta (2018) | Neil Jordan



Although the film is called Greta, Chloe Grace Moretz’s character, a young waitress named Frances McCullen, is the one we follow most, newly relocated to New York City from Boston after losing her beloved mother.  Frances is perhaps a little too nice and accommodating for her roommate Erica’s (Maika Monroe) tastes to not get taken advantage of by the worst the Big Apple has to offer. That niceness comes into play when Frances finds a lost purse sitting on a seat in her subway car, prompting her to return it its rightful owner, a mature Parisian widow living in Brooklyn named Greta Hideg (Isabelle Huppert).  The two become friends, filling a niche in each other’s lives, with Frances finding a surrogate for her mother in her time of grief, and Greta a surrogate daughter for the one that is no longer in her vicinity. Frances says she’s like chewing gum – she tends to stick around – which is music to Greta’s ears.  However, something feels amiss in the relationship that causes Frances to try to end it, and the less-than-stable Greta doesn’t seem to be taking the separation well. Neil Jordan directs this off-kilter thriller.


Halloween (2018)



Jamie Lee Curtis returns as Laurie Strode in this sequel that ignores all others in the franchise after John Carpenter’s 1978 original HALLOWEEN.  Michael Myers breaks from his prison existence to return to where it all started, in Haddonfield, IL, during Halloween. Esteemed filmmaker David Gordon Green directs and co-scripts this intriguing return to look at trauma-survivor Strode and the inevitability that predator and prey will once again battle it out for survival, even forty years later.


Venom (2018)



The Marvel Comics villain gets the antihero treatment in this Spiderman-less origin story filled with grotesque body horror and lots of crazy CGI-infused action.  Tom Hardy stars as reporter Eddie Brock, who finds himself the host of an alien symbiote he discovers within a hi-tech laboratory he’s investigating.  That alien needs live organs to feast upon, which means Eddie’s if he can’t find other things for “Venom”, which is what the symbiote calls himself, to ravenously consume.  Michelle Williams stars as Brock’s ex-fiance, and Riz Ahmed is the head of the corporate lab out to experiment on the living in order for humans to try to survive on other planets when this one is no longer, inevitably, inhabitable. Zombieland’s Ruben Fleischer directs.