Leonardo DiCaprio stars as Rick Dalton, a Hollywood star who is seeing his brightness fade in the ever-changing and fickle industry. Brad Pitt stars as Cliff Booth, his dedicated stuntman, chauffeur, and overall sidekick in life. The outlook looks bleaker each time out for both of them, as Dalton goes from leading-man roles in films to heavies on TV shows, mulling over advice to continue his career starring in Italian films rather than take a back seat in Hollywood. Meanwhile, Cliff ends up getting into his own kerfuffles on the side, including a spat with none other than Bruce Lee, a young hippie that he flirts with while out driving around the streets of Los Angeles, and dealing with a past that includes questions on whether he might have murdered his own wife and gotten away with it. Quentin Tarantino writes and directs this pop-culture pastiche love letter to Hollywood at the end to the 1960s.
Category Archives: Drama
Set sometime in a future in which natural resources like water have become scarce. Gugu Mbatha-Raw plays Ruth, a recovering drug addict on the run due to the fact that she just might be someone who possesses some sort of seizure that reveals an earth-shattering (literally) superpower that causes a shift in tectonic plates that never move, making her the target for experimentation from government scientists. Broke and desperate, she ends up returning to the rural home he ran away from when she was much younger, where her mother Bo and mostly estranged daughter Lila reside, who also have their own form of powers. Julia Hart directs this superhero tale of a different sort.
Johnny Depp stars as an English professor for a prestigious New England college named Richard Brown who learns he has late-stage lung cancer and probably only six months to live without treatment, which he doesn’t plan on seeking. On top of this, Richard is also a terminally bored, self-absorbed jerk whose own life has been falling apart long before this diagnosis. His wife (Rosemarie DeWitt) is cheating on him, with the chancellor at his school (Ron Livingston), no less. Now he can say whatever he feels like, knowing he’s on his way out, and what he has to say is not always kind. With perhaps only months left, he decides to continue to teach his literature class, hoping to impart some actual value to his current crop of students before he succumbs to the disease. He’s also going to try to experience life without worrying about the consequences – a life he comes to realize he should have been trying to live all along.
This biopic on Ted Bundy covers mostly the ten years between 1969 and 1979, where we find the seemingly sweet courtship of single mom Liz Kendall (Lily Collins) on the part of Ted Bundy (Zac Efron), who seems like an ideal dream man when they meet and seems to be a loving and nurturing father figure to her young daughter over the years. Things take a turn when Bundy leaves their home in Seattle to attend law school in Utah, especially when he gets tagged as a suspect in a kidnapping and murder case that he fits the description of, though the facts don’t quite align enough for him to be the definitive culprit. Elizabeth stays by his side, but Bundy continues to do things that seem to further sink him into legal troubles, making her wonder if he is the serial killer in disguise, or if all of it is the elaborate frame job by overzealous law enforcement seeking to put him away without incontrovertible evidence to nail him for good. Bundy soon becomes a bit of a media darling, with groupies across the country falling under his dreamy spell, including Carole Ann Boone (Kaya Scodelario), who becomes Bundy’s lover and source of strength at a time when Liz has decided to keep her distance.
The Dirt is a Netflix biopic featuring re-enactments of some of the wild, raunchy and tragic stories as told by the members of popular 80’s/90’s metal band Motley Crue in their autobiographical book of the same name. Starring Douglas Booth, Machine Gun Kelly, Daniel Webber, and Iwan Rheon. Directed by Jeff Tremaine.
Dragged Across Concrete is writer-director S. Craig Zahler’s further exploration of the seamy underbelly of American society, particularly through the prism of how that experience causes ripple effects that throw even innocent people into the wake of the criminals. Most of the action follows the exploits of two cops in the fictional city of Bulwark, the older burnout Brett Ridgeman (Mel Gibson) and his younger partner Anthony Lurasetti (Vince Vaughn), who get suspended from the force after they are caught on camera going a little too far in roughing up a suspect in the current environment that frowns on the perception of racial profiling. The other major story arc in the film involves Henry Johns, just released from prison, going back to a life of crime in order to provide for his mother (a drug user who has been prostituting herself for needed cash) and disabled younger brother, who has aspirations of becoming a video game developer. The two stories converge when the cops decide they’re going to snatch money from a secretive drug dealer named Vogelmann, while Henry, working for that guy, becomes the wheel-man in a bank heist.
Written and directed by Adam McKay, who impressed in his last effort from 2015, The Big Short, Vice is specifically a biopic of sorts about former Vice President of the United States under George W. Bush, Dick Cheney — both of whom were seen as responsible for the policies that brought about the stock market crash covered so well in McKay’s prior film. McKay covers Cheney’s rise from drunken slob, to shaping up by entering Wyoming business and politics, to becoming a power player in the Republican party in Washington (Chief of Staff under President Ford), to his failed ambition to become president, to becoming the CEO of Halliburton. However, some would say that, after a successful bed on the bottom of the ticket for the 2000 and 2004 elections, he found a way, dubbed the Unitary Executive Theory, to become the most powerful nation in the world from the number-two position despite it being seen as a do-nothing office.
Glass serves as a sequel to two films from M. Night Shyamalan, 2000’s Unbreakable and 2018’s Split, the latter of which tied itself to the former with the post-end title stinger. Bruce Willis makes his return as the ‘unbreakable’ security company owner David Dunn, who, along with his adult son (and sole employee) Joseph, is trying to track down a crazy roaming the streets of Philadelphia who is abducting teenage girls. James McAvoy continues his portrayal of Kevin Wendell Crumb, aka The Horde, a conglomerations of split personalities that take over Kevin’s body at various points, including the homicidal brute known as The Beast, who is the one feeding on those girls David is looking for . Samuel L. Jackson also returns from Unbreakable as the titular character, the brittle mastermind self-named Mr. Glass, aka Elijah Price, who has apparently been laying low for some time under heavy sedation. The three end up rounded up and subsequently kept separate chambers within a high-security psychiatric facility led by Sarah Paulson’s Dr. Ellie Staple, whose specialty is in rehabilitating persons who believe they are superheroes. From Split, Anya Taylor-Joy returns as Casey Cooke, who survived her terror-filled first meeting with The Horde while in its persona as The Beast, but who finds herself drawn to help him escape his inner demons.
Ben Foster’s war vet Will, widower father to the young teenage girl with the boy’s name of Tom (Thomasin McKenzie), is suffering from some sort of Post Traumatic Stress from his time in the service, living out in the woods, completely off the grid, roughing it in that public park in Oregon. Director Debra Granik combined these elements with the story of a man who raised his daughter off the grid in their own cabin in Oregon, wanting her to learn from nature and books rather than live her whole life in a world of conformity, though she did have exposure to those elements in her time of custody with her mother, as well as in her teen years, when she went to a high school and became more interested in conforming to society.
In this Spike Lee joint, we go back to the 1970s, where we find Ron Stallworth, the first black police detective working for the Colorado Springs Police Department. In one of his first assignments after laboring behind the scenes to test the waters as a file clerk, Ron is hired to go undercover to record a speech being given locally by black activist Kwame Ture (Corey Hawkins), formerly known as Stokely Carmichael, at a nearby college, in which the subject is black empowerment, racist law enforcement, and preparation for the race war they feel will be inevitable. The police thought the speech would incite violence, but Ron saw the speech as just talk in that regard, and inspiring otherwise.