As with the other Terminator films, a protagonist and antagonist are sent back to the modern-day from a dark future using a time-travel device. The protagonist (Mackenzie Davis) is a technologically augmented human super-soldier named Grace, who lands in Mexico City in order to try to act as a savior for humanity in the future (Natalia Reyes). The antagonist (Gabriel Luna) is an ultra-powerful Terminator model called a Rev-9, whose mission it is to terminate a young female autoworker living in Mexico named Dani Ramos. Lending assistance to the resistance is the return of Sarah Connor (Linda Hamilton), who sees kinship in Dani because she has been thrust into the same position as key to humans surviving the A.I. onslaught of the future. Arnold Schwarzenegger makes an appearance in the second half of the film as a T-800 model Terminator named “Carl” who has assimilated into human society after completing his mission of taking out John Connor. Tim Miller directs.
Category Archives: Thriller
Will Smith stars as Henry Brogan, a top-notch sniper and skilled combat fighter working for a black ops government agency named Gemini, performing one last kill before retiring from the assassin business at the ripe age of 50. He’s the best at what he does but hates the man he’s become, unable to even look at himself in the mirror without observing disappointment and pain. But just when he thinks he’s pulling out, they pull him back in, discovering that he’s been misled by his superior at Gemini, Clay (Clive Owen), in the nature of his latest assassination, making him feel betrayed. Along with fellow agent and his new ally, Danny (Mary Elizabeth Winstead), and his trusty pal Baron (Benedict Wong), Henry soon discovers they are trying to take him out as well, but with a younger, more agile, less angsty version of himself named Junior. Ang Lee directs this futuristic action-thriller.
Set in a crime-ridden Gotham City sometime in the early 1980s, Joaquin Phoenix stars as Arthur Fleck, a man who has been dealing with mental challenges his entire life, with little to show for all of his efforts to keep on the sane path. One of his afflictions is his uncontrollable laughter when faced with things that make him anxious, which often gets him into further trouble on its own. He’s living in a Gotham City apartment with his ailing mother, Penny (Frances Conroy), trying to make it on his own either as a clown or as a stand-up comedian, on the hope of getting on the number-one late-night talk show starring Murray Franklin (Robert De Niro). Even with the several medications that he is on, his afflictions often get the better of him, but now he’s lost his job, his therapist, his meds, and his sanity, but finds there may be a new path to an audience when he gains notoriety as a Bernard Goetz-style subway shooter. Directed and co-written by Todd Phillips.
Starting off in 2007, Constance Wu stars as Destiny, a newbie stripper trying to make it in the clubs of New York’s competitive environment in order to earn enough money to support her and her ailing grandmother. Backstage she meets and ends up being mentored by a legendary veteran stripper named Ramona (Jennifer Lopez), who completely cleans up in terms of money whenever she appears on the stage or off. However, the great recession of 2008 soon hits, with opportunities completely drying up to earn cash in the strip clubs, with both ladies struggling to make ends meet. That is until Ramona decides to put her skills at working the crowds of men to the test, gathering up Destiny and several other stripper friends to lure in the Wall Street types with corporate accounts to swindle them out of thousands of dollars at a time.
Hattie (played by Vanessa Kirby) is an MI6 agent on a mission to keep a deadly virus named Snowflake, which can liquefy the internal organs of humans who contract it, from getting into the hands of a faction of mercenaries under the employ of an evil tech-based organization called Eteon, led by Brixton Lore (Idris Elba), a hi-tech assassin with technology-augmented senses that make him a swiss-army knife of deadly skills, something seen by the company as the future of a humanity soon to die off. In a desperation move, Hattie injects the virus into her own body, giving her only 3 days to get it back out before it actually does what it’s supposed to do, and instantly making her the most sought-after fugitive in the world by bad guys and good guys alike. Hired to find Hattie before Lore finds her first is the titular bickering team of Los Angeles-based single father and retired DSS agent Luke Hobbs and ex-special ops mercenary Deckard Shaw (Jason Statham), the latter of whom is soon revealed to be the estranged older sibling of Hattie. But to save Hattie, they also need to secure the services of a genius scientist, who is perhaps the only one with the technology necessary to extract the virus back out of Hattie, making him a target of Eteon’s forces as well. David Leitch directs this comic spin-off from the Fast & Furious franchise.
Leonardo DiCaprio stars as Rick Dalton, a Hollywood star who is seeing his brightness fade in the ever-changing and fickle industry. Brad Pitt stars as Cliff Booth, his dedicated stuntman, chauffeur, and overall sidekick in life. The outlook looks bleaker each time out for both of them, as Dalton goes from leading-man roles in films to heavies on TV shows, mulling over advice to continue his career starring in Italian films rather than take a back seat in Hollywood. Meanwhile, Cliff ends up getting into his own kerfuffles on the side, including a spat with none other than Bruce Lee, a young hippie that he flirts with while out driving around the streets of Los Angeles, and dealing with a past that includes questions on whether he might have murdered his own wife and gotten away with it. Quentin Tarantino writes and directs this pop-culture pastiche love letter to Hollywood at the end to the 1960s.
Thirty years ago, J.J. (Jessie T. Usher) was fathered by Samuel L. Jackson’s Shaft, who was immediately estranged from his kid by the mother, Maya, who wants to keep her child’s life from the daily danger that Shaft is surrounded by. Shaft keeps his toe in the water with J.J. by sending presents on birthdays and holidays that often show how out of touch he is, not only in what’s going on in J.J.’s life but also in what is acceptable by standards of our less politically incorrect world. J.J. Shaft works primarily as a desk jockey in the FBI. J.J. learns that his old friend Karim and sometimes protector died from an overdose in Harlem. Knowing that his friend had turned his life around, J.J. thinks the death smells funny and decides to investigate the cause, leading him to ask questions in a drug dealer’s lair that gets him nearly killed. Desperate to move on with his investigation, J.J. reaches out to the father he never knew, currently working as a hardboiled private investigator in town, who readily accepts his role as his son’s new protector and mentor of all things “manly”. They soon discover there is, of course, far more involved in Karim’s death than what the official report says, and soon the men find themselves in the middle of a murder case. Tim Story directs this semi-spoof of its own franchise. Richard Roundtree takes a small role as the original John Shaft.
n this thoughtful sci-fi film, Clara Rugaard plays a young teenager we only hear referred to as ‘daughter’ by ‘mother’, who is has an android body with a soothing woman’s voice (Mother’s finished voice-over acting provided by Rose Byrne). We soon come to find that Mother is an artificial intelligence robot that works within a facility that is raising children in order to learn how to properly nurture them to adulthood, for the purpose of one day repopulating the contaminated Earth that lies outside of their safe enclosure in this post-apocalyptic tale. Daughter is the only living human in the facility, though Mother says that her family, which is a collection of human embryos currently being kept on tap, can be born and raised using a quick-gestation technology that we see Daughter produced from when the time comes. Hilary Swank also appears in a supporting role in this film directed by Grant Sputore.
John Wick: Chapter 3 – Parabellum spins off its plot from something that happens in the second chapter, namely that John Wick (Keanu Reeves) is now “excommunicado” by the High Table that controls the world’s leading organization of assassins for killing someone inside the assassin’s “sacred ground” of the Continental Hotel in New York – a big no-no. that sees a huge bounty put on his head. John has very few places he can run, and he’ll eventually run out of safe havens, but he means to keep himself alive long enough to be able to get himself back into the High Table’s good graces somehow. Nevertheless, the assassins after him are skilled and ruthless, especially the calculating woman known as The Adjudicator (Asia Kate Dillon), who is busy dishing out nasty revenge on anyone caught helping out their buddy in defiance of the orders.
This biopic on Ted Bundy covers mostly the ten years between 1969 and 1979, where we find the seemingly sweet courtship of single mom Liz Kendall (Lily Collins) on the part of Ted Bundy (Zac Efron), who seems like an ideal dream man when they meet and seems to be a loving and nurturing father figure to her young daughter over the years. Things take a turn when Bundy leaves their home in Seattle to attend law school in Utah, especially when he gets tagged as a suspect in a kidnapping and murder case that he fits the description of, though the facts don’t quite align enough for him to be the definitive culprit. Elizabeth stays by his side, but Bundy continues to do things that seem to further sink him into legal troubles, making her wonder if he is the serial killer in disguise, or if all of it is the elaborate frame job by overzealous law enforcement seeking to put him away without incontrovertible evidence to nail him for good. Bundy soon becomes a bit of a media darling, with groupies across the country falling under his dreamy spell, including Carole Ann Boone (Kaya Scodelario), who becomes Bundy’s lover and source of strength at a time when Liz has decided to keep her distance.