The story involves the Bill (Alex Winter) & Ted (Keanu Reeves), now married with one child each, suffering a mid-life crisis, realizing that they never united humankind through their music as foretold. In fact, contrary to the end montage of Bogus Journey depicting their success, Face the Music shows the duo jaded after a career where they are more laughing-stock than the most popular band on Earth. The pressure to fulfill their destiny finds their marriage on the rocks, seeking couples therapy, but one where both couples are involved simultaneously; the duo’s inability to separate their codependency is one of the issues. Someone from the future tells them they need to write the song within the next 77 minutes to achieve global peace and harmony, or the universe will come apart in a cataclysmic event called the Unraveling. Their plan: use the phone booth time machine to travel forward in time to steal the song from their future selves. Dean Parisot directs this third entry in the Bill & Ted series.
The main premise is that two childhood friends, Sasha Tran (Ali Wong) and Marcus Kim (Randall Park), end up consummating their time growing up together as Asian-American teens in San Francisco with their first sexual experience, only to find their friendship has become awkward after going beyond the friend zone. These besties soon drift apart and lose connection as they progress into adulthood, with Sasha hitting the big time by becoming one of the most successful celebrity chefs in Los Angeles, while Marcus works by day in his father’s small-scale HVAC company while performing at the same dive bar frequently with the hip-hop group he’s been in since he was a teenager. When Sasha going to the opening of one of her posh restaurants in San Francisco, she ends up getting reacquainted with her old friend Marcus and finds him exactly in the same place, driving the same car, doing the same things all these years, while she’s become a jet-setting millionaire. Neither can stand each other’s lives, but they seem to enjoy each other’s company for the time being, and with both stuck in relationships that may not lead anywhere, there’s a “maybe” that develops, even though it seems their different lifestyles can never coexist without someone giving in. Nahnatchka Khan directs this romantic comedy in the vein of “When Harry Met Sally”. Keanu Reeves gets an inspired bit part.
John Wick: Chapter 3 – Parabellum spins off its plot from something that happens in the second chapter, namely that John Wick (Keanu Reeves) is now “excommunicado” by the High Table that controls the world’s leading organization of assassins for killing someone inside the assassin’s “sacred ground” of the Continental Hotel in New York – a big no-no. that sees a huge bounty put on his head. John has very few places he can run, and he’ll eventually run out of safe havens, but he means to keep himself alive long enough to be able to get himself back into the High Table’s good graces somehow. Nevertheless, the assassins after him are skilled and ruthless, especially the calculating woman known as The Adjudicator (Asia Kate Dillon), who is busy dishing out nasty revenge on anyone caught helping out their buddy in defiance of the orders.
Keanu Reeves and Winona Ryder star as bickering travelers who just so happen to be going to the same destination: a wedding of her ex, and his half-brother, who neither of them particularly hopes is happy. Two unhappy people surrounded by mirth leads to a toxic concoction of feelings, but the two unlucky lovers find a bond in their despair that may be just as strong as that of initial attraction. “Mad About You” producer Victor Levin directs this anti-romantic comedy.