Coming 2 America is the much-belated sequel to one of Eddie Murphy’s most popular of starring vehicles, 1988’s Coming to America. Murphy returns to his role as Akeem Joffer, an obscenely wealthy prince of the fictional African kingdom of Zamunda, living in bliss with his wife, Lisa (Shari Headley), and their three daughters. With his father ailing (James Earl Jones), Akeem is set to become the king, but this will leave Zamunda, which has only been ruled by men, with no male heir. General Izzi (Wesley Snipes), the warmongering leader of the neighboring country, Nexdoria, has come around to intimidate his way into a marriage between his son and Akeem”s eldest daughter, Meeka (KiKi Layne). However, Akeem is soon informed that he may have had an illegitimate son when he was sowing his wild oats in America thirty years prior. Akeem and his right-hand man Semmi (Arsenio Hall) return to Queens, New York to find the 31-year-old son and heir he didn’t know he had, the street-wise ticket scalper Lavelle Junson (Jermaine Fowler). Akeem flies out Lavelle and his mother Mary (Leslie Jones) to Zamunda to receive his training and perform tests of courage before he can be the prince.
Jamie Foxx voices Joe Gardner, a middle-aged music teacher at a New York public middle school, frustrated by his lack of success toward becoming a professional jazz club musician. He’s offered full-time status with the school when another door of opportunity opens. A former student mentions that a legendary jazz saxophonist named Dorothea Williams is auditioning for a new pianist in her jazz ensemble. Nailing the audition, Joe is exuberant, failing to notice an open manhole before falling into it. He next finds himself disassociated with his body in an afterlife existence, a soul waiting for its final destination (dubbed “The Great Beyond”).
With dreams unfulfilled, Joe desperately wants his life back, escaping his fate by posing as a mentor for new souls in a pre-life training area called “The Great Before.” Joe’s assignment is to direct a soul called 22 to find her spark that will keep her happy and productive before assuming her role in the living world. However, 22 is a special case, spending eons avoiding the process under other mentors (even Mother Teresa lost her cool with her). When Terry, the accountant for souls, notices one is missing, she pursues Joe after he escapes back to Earth to regain his life.
Although the film is called Greta, Chloe Grace Moretz’s character, a young waitress named Frances McCullen, is the one we follow most, newly relocated to New York City from Boston after losing her beloved mother. Frances is perhaps a little too nice and accommodating for her roommate Erica’s (Maika Monroe) tastes to not get taken advantage of by the worst the Big Apple has to offer. That niceness comes into play when Frances finds a lost purse sitting on a seat in her subway car, prompting her to return it its rightful owner, a mature Parisian widow living in Brooklyn named Greta Hideg (Isabelle Huppert). The two become friends, filling a niche in each other’s lives, with Frances finding a surrogate for her mother in her time of grief, and Greta a surrogate daughter for the one that is no longer in her vicinity. Frances says she’s like chewing gum – she tends to stick around – which is music to Greta’s ears. However, something feels amiss in the relationship that causes Frances to try to end it, and the less-than-stable Greta doesn’t seem to be taking the separation well. Neil Jordan directs this off-kilter thriller.