n this thoughtful sci-fi film, Clara Rugaard plays a young teenager we only hear referred to as ‘daughter’ by ‘mother’, who is has an android body with a soothing woman’s voice (Mother’s finished voice-over acting provided by Rose Byrne). We soon come to find that Mother is an artificial intelligence robot that works within a facility that is raising children in order to learn how to properly nurture them to adulthood, for the purpose of one day repopulating the contaminated Earth that lies outside of their safe enclosure in this post-apocalyptic tale. Daughter is the only living human in the facility, though Mother says that her family, which is a collection of human embryos currently being kept on tap, can be born and raised using a quick-gestation technology that we see Daughter produced from when the time comes. Hilary Swank also appears in a supporting role in this film directed by Grant Sputore.
This time out, the character of Bumblebee ends up going back to his original look from the toy line and cartoon series of a Volkswagen Beetle, when he arrives on Earth back in 1987 as part of a last-minute escape plan for the Autobots on Cybertron to find an inhabitable planet as theirs is about to be destroyed in an all-out civil war with the Decepticons. Bumblebee ends up emerging in California, where his dormant state of the Beetle laying in rust in a junkyard, in hiding after being hunted by Sector Seven (the government agency who first discovers him), draws the eye of a troubled teenage girl named Charlie Watson, who views the car as freedom and an opportunity to follow in her recently deceased father’s footsteps by repairing two damaged precious things – the car, and herself.