Contact (1997) | Robert Zemeckis

Jodie Foster stars as scientist Ellie Arroway, who has dedicated her life to searching for possible intelligent lifeforms outside of Earth and our solar system.  An orphan from an early age, her faith in God has wavered since the days of trying to futilely contact her mother in heaven through the radio, replaced by a firm belief in science and facts as the pinnacle of what’s true and right. While her faith that we are not alone in the universe is unwavering, as a scientist, she won’t rest until she has absolute proof. Scanning the skies for radio waves of intelligent extraterrestrial origin, she and her team at SETI (Search for Extra-Terrestrial Intelligence) wait diligently for a message.  That day finally arrives when they pick up a repeating signal emanating from Vega, a star system 26 light-years away.   As the scientists work diligently to try to decode the message, the Earth erupts in a series of science vs. religion debates on what this all means, and who should be the one who represents our interests should we come face to face with the originator of the message.

Promising Young Woman (2020) | Emerald Fennell

Cassie Thomas (Carey Mulligan) lives with her parents in Ohio while working in a dead-end job at thirty years old, a barista in a small coffee shop. Her parents have been encouraging her to get on with her life in ways that aren’t even subtle. Their latest birthday gift: a suitcase.

Cassie spends her evenings at the local watering holes to the point where she’s in an obvious stupor. Inevitably, someone will offer to do the right thing and give her a ride home. However, temptation gets the better of them and they’ll tell the cab driver to take her to their home instead. There, they reveal themselves as not so good and she’ll reveal herself to be not so drunk, shaming them for essentially trying to rape a woman who is too intoxicated to truly give consent.

At work, Cassie has a run-in with Ryan Cooper (Bo Burnham), a former colleague from medical school now working as a pediatrician. Here we pick up clues learning about how she was once on a fast-track to becoming a doctor, but she dropped out for mysterious reasons involving her best friend Nina Fisher, the victim of a sexual assault that never got justice – until Cassie made it her mission to stop predators in their tracks. Ryan seems different, cracking through Cassie’s tough exterior, offering a bright future. However, when she learns that the person most responsible for Nina’s rape is nearby and about to get married, she has to decide which path she should go down, the path of promise or the path of vengeance on everyone who done them wrong, including the seemingly indifferent school educators and lawyers who downplayed the allegations.

Emerald Fennell writes and directs.

The Little Things (2021) | John Lee Hancock

Set in 1990, Joe ‘Deke’ Deacon (Denzel Washington) is a burnt-out deputy from Kern County, CA, who left working the spotlight of high-profile cases five years ago for quieter pastures, sacrificing the spotlight and his family in the process. Rami Malek is Jim Baxter, a hotshot homicide detective for the Los Angeles County Sheriff’s Department on top of the case to catch a serial killer brutally slaughtering young women. Deke has a knack for visualizing crime scenes and cracking cases by observing ‘the little things’ – the seemingly unimportant clues that lead a serial killer to be caught.  However, his reputation of following his own guidelines rather than the law has earned him a reputation, especially as events of his past have haunted him to ruin.

Deke travels to LA to deliver evidence for a case from Bakersfield but finds himself drawn into doing additional legwork off the clock because of the similarities between the current murders and one he had been working on back when he was last in Los Angeles that precipitated his exile. The arrogant Baxter initially dismisses Deacon as a loose cannon distraction, but eventually finds there’s a method to his madness that could be an asset to cracking the case. Their clues eventually lead to appliance deliverer Albert Sparma (Jared Leto), though they aren’t quite sure if he did the deeds or if he’s merely drawn close to the case because he is a fanatic for serial-killer crimes and intrigued at being thought of as a suspect. However, the demons that plague Deke seem to be infecting Baxter as he too begins to obsess about the case. John Lee Hancock writes and directs.

The One and Only Ivan (2020) | Thea Sharrock

The story centers around Ivan, a silverback gorilla who lives in a cage as the star of a struggling animal show at a suburban shopping center called the Big Top Mall & Video Arcade at Exit 8. Ivan’s main schtick is to roar and look intimidating, but behind the scenes, he is a thoughtful and sensitive soul. Other talented animals under the care of beleaguered ringleader Mack include a baseball-playing chicken, a sassy poodle, a bunny, a seal, a parrot, and an elderly elephant named Stella, plus a stray mutt called Bob.

Ivan befriends the young daughter of the mall cleaner who hands him supplies to draw, and it becomes something he takes an interest in doing, which has Mack seeing dollar signs to save his floundering circus attraction. An adorable baby elephant named Ruby arrives to become the latest attraction, under the tutelage and loving guidance of Stella. The drawing and painting, plus Ruby’s arrival, trigger Ivan’s memories of his childhood of freedom in the wild with his family, and Stella doesn’t want Ruby to live a sheltered life as she has had. Ivan plans to break free and deliver Ruby to a life of freedom.

Featuring Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez, Owain Arthur as live actors. Voice work by Sam Rockwell, Danny DeVito, Brooklynn Prince, Angelina Jolie, Chaka Khan, Ron Funches, Helen Mirren.

Queen & Slim (2019) | Melina Matsoukas

In this potent and socially relevant dramatic thriller, Queen (Jodie Turner-Smith) is a jaded criminal defense attorney and Slim a devoutly Christian retail clerk Slim (Daniel Kaluuya). They’re on a Tinder date in a Cleveland diner. On the way to drop off Queen, Slim gets pulled over by a pushy cop (Sturgill Simpson), then things escalate into an intense altercation that results in Slim killing the cop in self-defense. From then on, the two become fugitives, relying on whatever help they can on the down-low to avoid being caught and find their way to Cuba. Lena Waithe scripts from an idea by James Frey. Melina Matsoukas directs.

Parasite (2019) | Bong Joon-ho

Song Kang-ho plays Kim Ki-taek, the father in the poor family that has no breadwinners due to the lack of good-paying jobs (the latest gig finds them folding pizza boxes). Poverty has become so pervasive that the family works overtime to find ways to not spend money, hijacking wifi from neighbors and resorting to forgery to gain credentials from schools they couldn’t even dream to be able to afford. They even leave the window open as the bug exterminator draws near to get “free fumigation”, inundating their basement apartment (and boxes meant to carry pizzas) with unhealthy chemicals. Things take a turn for the better when Ki-taek’s son, Ki-woo, gets a temporary job replacing a good friend as the tutor for Da-hye, a teenage daughter of a well-to-do family. In their palatial home, Ki-woo woos the young woman who develops a crush on him, just like she did the prior tutor, and convinces the naive mother that he has the skills necessary for the job. When Ki-woo learns that the young son in the rich family, Da-song, needs an art tutor, he brings in his sister for the job, pretending to be Ki-woo’s old college friend, then his dad, then his mother. But their taste of the high life makes it a place they want to stay for good.

Little Women (2019) | Greta Gerwig

As a novel, “Little Women” had been published in two volumes, one in 1868 and the other in 1869, but the volumes are combined in the film, interwoven together in a rearranged timeline that jumps back and forth, spotlighting their hopes and dreams as teenagers, then tempering those ambitions with the grimmer realities of the real world in their adulthood. It spins the yarn of four young sisters with artistic and romantic ambitions – Jo, Amy, Meg, and Beth – living with their mother Marmee while their father is off fighting in the Civil War. Much of this film adaptation by writer-director Greta Gerwig concentrates on Jo’s story regarding her ambition and struggle to become a published writer. Throughout the course of the film, we see her maturation by finding her voice, both as a woman and as a writer. Featuring Saoirse Ronan, Florence Pugh, Timothee Chalomet, Emma Watson, Laura Dern, and Meryl Streep.

Uncut Gems (2019)

Set in 2012, Uncut Gems is a part crime drama and part character study, following the dealings of Howard Ratner (Adam Sandler), a New York jewelry merchant doing business by appointment in his highly secure private showroom. Not all is peachy-keen in Howard’s life, as his marriage is on the rocks, his mistress has begun to make him feel insecure, his lack of work ethic beginning to sour customers, he just might have colon cancer, and his gambling addiction has gotten him into a lot of debt that he can’t pay back easily. He’s a sucker for get-rich-quick schemes to keep him out of trouble; his latest involved the procuring of a large uncut Ethiopian black opal that may be worth up to a million dollars.

Enter Boston Celtics star, Kevin Garnett, who takes an immediate interest in purchasing the rare jewel upon seeing it, but is denied a sale because Howard already has it set up to auction within a few days. Garnett ends up borrowing the opal in exchange for one of his championship rings and has one of the best games of his career on the basketball court, making it the good-luck charm he has to have at the tail-end of his career. In the meantime, Howard has ended up pawning off Garnett’s ring and used the money to bet big on Garnett’s performance.

Directed by Benny and Joshua Safdie.

Ford v Ferrari (2019) – aka Le Mans ’66 | James Mangold

Most of the film surrounds the events leading up to France’s illustrious 24 Hours of Le Mans auto racing event, mostly glossing over Ford losses in 1964 and 1965 as roads poorly chosen. We start with Carroll Shelby (Matt Damon), a former elite racecar driver, the first American driver to win at Le Mans, who retires into designing racecars and coaching the next generation of elite racers after finding out he has heart disease. Considered a maverick by his contemporaries, his services are sought when the Ford Motor Company, who are attempting to brand their vehicles to younger people who want style and sex appeal in the cars they buy, planned to acquire the financially struggling Ferrari in 1963. Those plans fall through spectacularly, leaving both sides feeling insulted. Ford wants to show Ferrari, and the world, that they are more than just a company that can mass produce family vehicles. Shelby sets about building what would come to be known as the Ford GT40 model, trying to maximize power and minimize weight and drag to be the fastest racer on Earth.

Christian Bale plays British racecar driver Ken Miles, sought by Shelby to help his test out his designs to give them a chance to come out on top in the grudge match between Ford and Ferrari. He’s skilled at what he does, but Henry Ford II wants him replaced by someone less of a loose cannon and willing to tow the Ford line to the media. Ken’s wife, Mollie (Caitriona Balfe), and his son, Peter (Noah Jupe), feel ambivalence about his quest to be the best. They want him to bring home the bacon, but they’re also afraid that he’ll be another casualty in the car racing arena who doesn’t get out of his car in time. Shelby must weigh his friendship and knowledge that Miles is the best shot to win with the needs of his funders, who are only in it to promote their brand. James Mangold directs.

The Irishman (2019) | Martin Scorsese

The Irishman is a tale spun from the vantage point of an older man in a nursing home and displayed through a series of extended confessional flashbacks. Robert De Niro takes the lead role of World War II veteran meat-delivery driver Frank Sheeran, who, beginning in the 1950s, gets involved as a hitman for the mob after meeting and providing his services to well-known crime boss Russell Bufalino (Joe Pesci). During his time working with Russell, Frank ends up meeting and becoming a close confidant of the nation’s most influential union boss, Jimmy Hoffa (Al Pacino), known for using strongarm tactics to bring the International Brotherhood of Teamsters union to power. Organized crime had a significant influence in this era, on the unions, in business, and up to the highest levels of government, and Frank finds himself on the rise playing bodyguard and man of trust to Hoffa in his attempts to keep control of the most powerful union in the country. Martin Scorsese directs.